Andreas Muxel interested in the mixture of digital code and physical material and the man-machine interface.
French media arts curator, has specialised during these last 15 years in the production and curating of hybrid digital projects linked sound, visual arts, to flow, networks and to the Internet.
Aram Bartholl thematizes the relationships between net data space and public every day life.
Two brothers, Manu & Laurent Talbot created autonomous d.i.y. punk rock robots band...
Cathy Weyders invents landscapes where to survival demands camouflage, concealed in protective overalls, cowls or masks.
Kangding ray's music reflects his wide musical background, and a particular way of merging beats and textured soundscapes into slowly evolving compositions.
Keg de Souza is a Sydney based inter-disciplinary visual artist and anarchitect whose practice has been shaped by her educational background in both architecture and time-based art and her experiences through squatting and other such shenanigans.
LAb[au] mainly creates interactive artworks, audiovisual performances and scenographies, for which it develops its own software and interfaces.
Locus Sonus is concerned with the innovative and transdisciplinary nature of audio art forms, in the framework of networked sonic spaces.
" The most exciting performer I have seen in the last three years – in fact, since I first saw Iggy Pop " - Bruce Russell / WIRE Magazine.
Martin Hesselmeier is focused on reactive installations with the limits of human perception.
“ ... Yes, noises are really important. It’s a part of our life! It’s a part of our day to day ! ”
Stefaan Quix creates media artworks, sculptures, films and mixed media artworks. By applying abstraction, Quix creates works in which a fascination with the clarity of content and an uncompromising attitude towards conceptual and minimal art can be found.
Exploring and combining the fields of interaction design, graphic design, moving image and of course music.
Yacine is interested in the creation of environments where the visitor is pushed to a reflection on his relation with his own image, with the "other", with time and on technology.
With an education in architecture and computer science, after working as a scientific researcher and in the electronic publishing of art&culture content, Yves Bernard founded in 1999 the association iMAL (interactive Media Art Laboratory, Brussels).